St. Ann's Warehouse Revenue and Competitors

St. Ann’s Warehouse plays a vital role on the global cultural landscape as an artistic home for international companies of distinction, American avant-garde masters and talented emerging artists ready to work on a grand scale. St. Ann’s signature flexible, open space allows artists to stretch, both literally and figuratively, enabling them to approach work with unfettered creativity, knowing that the theater can be adapted in multiple configurations to suit their needs. Through its signature multi-artist concerts and groundbreaking music and theatre collaborations, St. Ann’s continues to celebrate the panoramic traditions of American and world cultures, with forays into a variety of contemporary forms, including new commissions and multi-disciplinary theatrical presentations. Among the many acclaimed St. Ann’s productions are Lou Reed and John Cale’s Songs for ’Drella; Marianne Faithfull’s Blazing Away; Artistic Director Susan Feldman’s Band in Berlin; Carter Burwell, Charlie Kaufman and the Coen Brothers’ Theater of the New Ear; The Wooster Group’s Hamlet, The Emperor Jones, To You, the Birdie!; Mark Rylance’s Measure for Measure and Nice Fish; Antony’s Turning; Mabou Mines’ DollHouse; Lou Reed’s Berlin; Cynthia Hopkins’ Accidental Trilogy; Enda Walsh’s The Last Hotel, The Walworth Farce and Misterman with Cillian Murphy; TR Warszawa’s Macbeth, Festen, and 4:48 Psychosis; The National Theatre of Scotland’s Black Watch and Let The Right One In; the American debuts of Jeff Buckley, Daniel Kitson and Kate Tempest; Yael Farber’s Mies Julie; Dmitry Krymov’s Opus No. 7; Emma Rice/Kneehigh’s Brief Encounter, Tristan & Yseult; The Donmar Warehouse and Phyllida Lloyd’s all-female Shakespeare Trilogy; Tricycle Theatre’s Red Velvet; and the Young Vic’s A Streetcar Named Desire.